30.3.16

HWW C10 IM Argumentative Genres

    C10. Argumentative Genres
    1. Chapter Objectives
    The purpose of this chapter is to provide you with teaching materials to guide students toward the ultimate goal of writing a satire, the chapter project featured in Chapter 10 of How Writing Works.
    We have included in-class discussion questions, activities, and writing exercises that will scaffold students’ progress toward the final project, while also reinforcing the key concepts introduced in Part 1 and in Chapter 10.


    1. Genre Toolkit Table

    Genre
    What is it?
    Who reads it?
    What’s it for?
    Print advertisement
    A short, persuasive printed document that appears in print publications, usually image-heavy
    Readers of the print publications in which the advertisement appears
    To persuade readers to buy or do something
    Column, op-ed, or letter to the editor
    A short written document published in a newspaper or magazine
    Readers of the publication in which the document appears
    To persuade readers to agree with the writer’s opinion





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    Candidate speech
    A spoken text delivered by a candidate for political office
    People who may vote for the candidate
    To persuade people to vote the candidate into office
    Satire
    An ironic written document, usually printed in a newspaper or magazine, similar to a column or op-ed
    Readers of the publication in which the satire appears
    To persuade people, using irony, to agree with the writer’s opinion
    1. Talk About It: Discussion Questions

    Concept-Centered Question
    1. Genre: Why would the author of a newspaper column opt for a satirical style over a straight style? Compare Pia’s satire column with Rini’s op-ed, for example. Here you might discuss the appropriateness of satire for the topic at hand. Rini’s topic of disability discrimination might not suit the satire genre because of its seriousness. However, there is room for debate on this because popular satirists such as Jon Stewart (and even Jonathan Swift) regularly address serious issues using satire. Ask questions           like the following:

    1. How might you address sensitive topics well using satire?
    2. What do you need to be careful of when addressing sensitive topics using satire?
    3. How can you tell if what you have written is satire, rather than a perpetuation of the problem the satire is trying to address?



    Note: The goal here is to get students to apply their critical tools (the Genre Toolkit) to a new set of documents, to see how the conventions of satire hold or change across the wider variety of satires.

    1. Organization and content: You’ve been asked to write a satire column about a current event in national or world politics for a national newspaper. Select a topic and figure out what the ironic angle would be for your satire column.

    Note: The goal here is to get students to transition from thinking about audience, genre, and purpose to thinking about how to put that knowledge into practice. Have students pitch their satire columns to partners or groups as though their partners were their newspaper editors.

    1. Peer workshop: (When students are at the draft stage, have them bring in two copies of their draft, one for themselves and one to share with their partners.) First, read your satire out loud to your partner, while your partner reads along on the extra copy. Ask your partner to put an asterisk down on the page anytime she or he finds the satire to be too heavy-handed or offensive. Then, look back over the draft together and talk about the places she or he marked and how to improve them. Make a list of at least four changes you will make to your draft when you revise. Then, repeat the process for the other partner.

    Note: Students sometimes compose satires that take things too far, becoming offensive to readers. This activity will help students to ward off that tendency. While students are working on this activity, you can circulate around the class and eavesdrop on their conversations. Try to resist the urge to intervene, but take notes about what you hear, either promising and effective comments or common concerns of confusion you observe. When students have finished this activity, you can wrap up by praising students for effective peer workshop techniques (giving examples) and then by addressing any points of confusion that have arisen.
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    1. Write About It: Writing Prompts
    Here we have provided ideas for writing prompts that you can assign in class, for homework, or as online exercises. These are writing activities that can serve as prewriting for the chapter project or as stages in writing the chapter project.
    Ideally, students should practice doing some writing for every class session (either in class or as homework), but you do not need to assign all three types of writing for every session.
    Depending on your approach to grading, you may or may not assign a grade to these kinds of assignments. Some prefer to award points that go toward class participation and attendance; others consider these materials as part of the grade for the final project; still others will set aside a certain percentage of the course grade for in-class activities and homework. In general, though, you should award points for completing these kinds of assignments but do not need to assign a letter grade or give extensive comments.

    In Class
    1. Freewrite: Think about an issue on your campus that you might feature in your satire column. Try to choose a topic that you are already familiar with or that you are interested in learning more about. Write for five minutes about why this topic would be a good subject for a satire and what your satirical angle would be.

    1. Journal entry: Often, satires are funny because the arguments against the writer’s position are presented in an ironic or silly way. In a journal entry, write about all of the possible counterarguments to your position and ways to make them look ridiculous in your satire.

    Take Home
    1. Rough draft: Write a rough draft (Chapter 17) for your satire. You can indicate where you still need to add material from your research. If you get stuck, look at the examples in the textbook for inspiration or refer back to your prewriting. Be sure to bring your draft to class next time for in-class peer workshop activities.
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    1. Revision: Revise one section of your draft (completed in step 1, above), such as the introduction or a series of body paragraphs. Then, write a list of the changes you made. Bring your revised section and your list to class to share with your group.

    Online
    1. Discussion board or forum: Write a brief forum or discussion board post in which you describe three possible choices for the topic you might feature in your satire. Your goal is to get input from your classmates about which topic seems the most interesting and feasible to write about. If you have questions, you can ask them here. Then, reply to at least two of your classmates’ posts, giving your opinion on what topic they should choose, and why.

    Note: Assign this activity early in the unit, when students are still deciding on a topic for their satires. You can follow up in class by asking a few students to share what topic they have settled on and why.

    1. Online workshop: Post one section of your draft to the course management system (Discussion Board, Forum, etc.). Write at least two questions about the section (e.g., How can I draw the reader in? Are my voice and tone appropriate? Does the satire take things too far?). Then, comment on at least two other students’ posts, answering the questions they have posed about their draft.

    Note: Assign this activity at the midpoint of the unit, when students have at least a partial draft. You can repeat this activity several times during the unit or mix this activity with an in-class workshop so that students get many chances to revise their work based on peer feedback.

    1. Media Suggestions
    Have students check out the following websites for examples of multimedia satire:

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    You can ask them to share their favorite pieces with the class or to use these examples as models for their own writing.

    1. Intercultural Teaching Tips
    Irony can be one of the most difficult cross-cultural cues to pick up on, both in written and in spoken forms. For students learning English as a second language, reading and writing satires might be a particular challenge.
    You might choose to modify this final assignment to a straight newspaper column or offer a choice to your students between a straight newspaper column and a satire column. That way, students who experience difficulties identifying and expressing irony in English can make their arguments in a more traditional fashion.
    Alternatively, you might spend extra time on examples in the textbook or others that you find. Ask students to help you to identify markers of satire or irony. For instance, how do we know that Jon Stewart is not a real newscaster? What clues (from visual effects to the tone of his voice) tip you off?

    1. Class Handouts

    Handout: Peer Review Worksheet
    Note: You can use this worksheet when students have a complete draft to workshop. Have students write comments in the third column to address the questions and then complete the task in the fourth column by marking up the writer’s draft. Ask all peer reviewers to include their own names, the writer’s name, and the date in the last row; and then give it back to the writer. You should leave time for writers and reviewers to go over the worksheet and explain their comments.

    After the workshop, students should include a revision plan, a list of items that they plan to address in their next revision. There is a space for the revision plan toward the bottom of the worksheet.
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    Ask the writer to include the worksheet he or she received from the reviewer when handing in the final project. That way, you can assess how well both students (the writer and the reviewer) participated in the draft workshop: how well the reviewer contributed feedback and how well the writer addressed that feedback in revisions.
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    Peer Review Worksheet: Satire






    Questions
    Comments
    Tasks


    Genre, audience, and purpose
    Does the document suit the genre of a satire?

    Does it suit the audience?

    Does it meet the purpose of a satire?

    With an asterisk (*), mark one place on the draft where the writer could address the audience more effectively.


    Rhetorical situation
    Is the document suitable for the rhetorical situation?

    Has the author taken on the appropriate role (writer for a campus newspaper?)

    Does it meet the author’s purpose?

    Does the satire meet the audience’s needs and interests?

    Does the satire address a timely campus issue or event?

    Underline at least one place on the draft where the writer seems to be slipping into the role of “student” rather than “writer for a campus newspaper.”

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    Design, organization, content, and style
    Is the document designed like a satire?

    How is the document organized, and is that organization effective?

    How interesting and detailed is the content?

    Is the style appropriate for a satire?

    Has the writer proofread the satire carefully for grammar and mechanics?

    Circle at least three parts in the satire where the writer’s style seems less suitable for a campus newspaper—for example, where the writer seems to be taking on the tone of a college essay.


    Revision plan:
    For the writer: What four things will you do when you revise this draft? 1)
    2)

    3)

    4)





    Reviewer’s name:
    Writer’s name:
    Date of workshop:

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    Handout: Rubric
    You can introduce this rubric to your students early in the unit, shortly after you introduce the unit project. To get students to focus on using the rubric, you can ask them to develop it with you in class. As you familiarize students with the genre, ask them to fill in the criteria for a fair, a good, and an excellent assignment. Then, ask students to use the rubric in their draft workshops to comment on each other’s papers.
    Finally, use the same rubric to provide feedback on their drafts and evaluate their work. You can highlight on the rubric those elements students need to address and add notes on the rubric or on their papers.
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    Rubric: Satire






    Fair
    Good
    Excellent


    Genre, audience, and purpose
    The document does not fully suit the genre of a satire, does not address the target audience effectively, or does not fulfill the purpose of a satire. For instance, it may read more like a five-paragraph essay than a satire, or it may lack details and examples.
    The document generally addresses the genre, audience, and purpose of a satire but may not always do so effectively. For example, it may need more concrete details to engage the reader, or it may sometimes veer into the essay genre.
    The document suits the genre, audience, and purpose of a satire. It comes close to the examples in the textbook in terms of level of detail and engaging the audience’s interest.


    Rhetorical situation
    The document is not suitable for the rhetorical situation. For example, it may not address the interests and needs of readers of a campus newspaper.
    The document generally addresses the rhetorical situation but may miss opportunities to make the satire relevant to the situation. For example, the writer may not fully take on the role of “writer for a campus newspaper” and may seem stuck in the role of “student.”
    The document is appropriate for the rhetorical situation. It meets the needs of readers of a campus newspaper, fulfills the author’s purpose, and provides a unique look at a campus issue.


    Design, organization, content, and style
    The document may be organized more like an essay, with a series of points, than a satire. The content may be inadequate, or the style may not be appropriate for a satire (too academic and formal, for example).
    The document generally suits the design, organization, content, and style of a satire but may occasionally drift into the five- paragraph essay or some other genre. The document meets the goals of the assignment but still could be improved in terms of design, organization, content, or style.
    The document reflects the design, organization, content, and style suitable for a satire. The document keeps the reader focused throughout with interesting content, an engaging writing style, and a logical organization scheme.


    Grammar and mechanics
    The writer has not proofread carefully; there are a distracting number of grammatical and mechanical errors.
    The writing is generally free of grammatical or mechanical errors but may be awkward or unclear at times.
    The writing is not only free of grammatical or mechanical errors but fluent, polished, even eloquent.


    Process
    The student has not provided evidence of a writing process or participation in draft workshops. Drafts, comments, and revisions are missing.
    The student has provided some evidence of a writing process and participation in draft workshops but could show more engagement (i.e., more detailed comments in workshops or more substantive revisions).
    The student has provided excellent evidence of a sound writing process and has contributed effectively to peer workshops.